Audio Film
Audio Film
An audio film is
a form of storytelling that uses sound—such as dialogue, music, sound effects,
and ambient noises—to create an immersive narrative experience without relying
on visuals. Unlike traditional films, which combine both visual and audio
elements, audio films focus entirely on sound to convey story, emotion, and
atmosphere. They often resemble radio dramas or podcasts but can be more
experimental in style, using spatial audio, layered sounds, and creative sound
design to engage the listener’s imagination. Audio films allow audiences to
visualize scenes and characters in their minds, making sound the primary tool
for storytelling and emotional impact.
Practice
For my recent audio
film practice, I took a scene from a classic horror movie and transformed it by
replacing the original eerie sounds with funny, unexpected audio. This playful
experiment allowed me to explore how sound alone can completely change the mood
and meaning of a scene. By swapping chilling music and tense silence for
comedic noises and quirky voices, I turned a frightening moment into something
humorous and lighthearted. This exercise taught me the power of audio in
storytelling—how sound can guide the audience’s emotions and create entirely
new experiences, even without visuals. It was a fun way to deepen my
understanding of sound design and its impact on narrative tone.
Research
For my audio film, I
choose a series of paintings of Van Gogh. He is personally my
favorite artist of all times.
Van Gogh
1- Bank of the Oise at Auvers
This work reflects
Van Gogh's deep connection to nature and his ability to capture a fleeting
moment with psychological intensity. Despite the painting’s peaceful subject,
the urgent brushwork and bold contrasts suggest the emotional turbulence Van
Gogh was experiencing at the time. Painted just weeks before his death,
"Bank of the Oise at Auvers" embodies both the calm and restlessness
that defined his final period, blending beauty with inner unease.
2- The Sea at Les Saintes-Maries-de-la-Mer
"The Sea at
Les Saintes-Maries-de-la-Mer" (1888) is a vibrant seascape
painted by Vincent van Gogh during his time in the south of France. Created
during a visit to the small fishing village of Les Saintes-Maries-de-la-Mer on
the Mediterranean coast, the painting captures Van Gogh’s fascination with the
natural movement and color of the sea. The waves are depicted with dynamic,
swirling brushstrokes, giving the water a sense of motion and life. He uses
rich blues, greens, and touches of white to portray the restless sea under a
breezy sky, with fishing boats scattered on the horizon.
This work reflects Van Gogh’s emotional connection to nature and his desire to express its energy through color and form. The sea, to him, was not just a subject but a living force—something spiritual and moving. The painting combines realism with Van Gogh’s distinct expressive style, making the seascape both vivid and deeply personal.
3- The Ravine of the Peyroulets
"The Ravine
of the Peyroulets" is a powerful and emotive landscape painting
created by Vincent van Gogh in 1889, during his stay at the asylum
of Saint-Paul-de-Mausole near Saint-Rémy-de-Provence. This work depicts a
steep, rocky ravine located near the asylum, a place Van Gogh frequently
visited and painted. The rugged terrain, with jagged rocks and dense vegetation,
is portrayed using his signature swirling brushstrokes and vibrant, textured
colors.
The painting reflects
Van Gogh’s inner emotional state—turbulent yet searching for peace. The deep
shadows and dramatic contours of the ravine convey a sense of isolation and
struggle, while the lively brushwork and intense palette suggest a spiritual energy
coursing through nature. Rather than depicting the landscape realistically, Van
Gogh transforms it into a psychological and emotional experience. "The
Ravine of the Peyroulets" stands as a testament to how Van Gogh
used nature as a mirror for his inner life, turning the harsh landscape into a
deeply expressive, almost mystical vision.
My Vision
I created this audio
film using three of Van Gogh’s paintings—The Sea at Les
Saintes-Maries-de-la-Mer, The Ravine of the Peyroulets,
and Bank of the Oise at Auvers—to explore the emotional journey of
a young girl determined to break free from the limits set by her parents. They
warn her not to wander into the unknown, cautioning her about what lies ahead,
but she refuses to listen. Fueled by curiosity and a deep yearning for
independence, she escapes into a dreamlike world where she experiences the
beauty, chaos, and stillness of nature. The sea becomes her freedom, the ravine
her fear, and the riverbank her solitude. But as her journey continues, the
dream begins to shift—what once felt like discovery now feels empty. She
realizes there's nothing truly out there for her, nothing that replaces what
she left behind. In the end, she wakes up with regret, forever changed by the
dream that showed her what she already had.
Process
To design the audio
landscape for my film, I created all the dialogue myself, recording each line
in my own voice and then adjusting the pitch and tone to differentiate between
characters. This allowed me to maintain creative control while giving each voice
a unique identity. Alongside the dialogue, I crafted a variety of Foley sounds
to bring depth and realism to the scenes. Each sound was either recorded
manually using household objects or layered from natural sources to match the
emotional and environmental cues of the story. These Foley sounds were
essential in building atmosphere and guiding the audience through the visual
journey, enhancing the storytelling without needing visuals. I experimented
with different techniques to simulate specific effects. The following is a list
of the main Foley sounds used throughout the film:
Foley Sound List:
- Ocean waves – using layered recordings of water
splashes and ambient sea audio
- Rainfall – made with rice falling on various surfaces
- Thunder – using aluminum sheets and slowed-down
drum hits
- Wind – recorded by blowing into a microphone with
fabric filters
- Rustling leaves – wind out side house
- Birds and natural ambiance – sourced from real field
recordings and lightly edited
- Splashing water – recorded in a tub using hands and
objects
- Ship Horn- Phone Violin
- Some other like boat motor was picked online
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